Oblečenie - hudba

Vychází soundtrack k jednomu z nejúspěšnějších seriálů Černobyl, jehož hlavní autorkou je islandská experimentální hudebnice Hildur Gu?nadóttir. „Společně s Chrisem Watsonem a Samem Slaterem jsme vycestovali do Litvy, abychom nahráli zvuky místní jaderné elektrárny Ignalina, kde byla točena značná část seriálu. Následně jsme se prohrabovali v hodinách nahraných materiálů a podařilo se nám zachytit unikátní melodie dveří, pump nebo reaktorových a turbínových hal. Kromě mého hlasu je tak hudba k seriálu tvořená samotnou elektrárnou,” přibližuje proces tvorby Hildur. Soundtrack, který získal nominaci na cenu Emmy, vychází na CD i LP.
Seriál je pětidílnou minisérií, která pojednává o havárii černobylské jaderné elektrárny v noci z 25. na 26. dubna 1986 u ukrajinského města Pripjať. Uvedení prvního dílu sledovaly téměř 2 miliony diváků a kumulativní sledovanost přesáhla 1,7 milionů. Na Internet Movie Database (IMDB) získal seriál hodnocení vyšší než Hra o trůny nebo Perníkový táta a na ČSFD se Černobyl stal druhým nejlépe hodnoceným seriálem.
Hildur Gu?nadóttir, která je skladatelkou, zpěvačkou a hráčkou na čelo, v minulosti pracovala na soundtracích k filmům Joker, Máří Magdaléna nebo Sicario 2. Vydala čtyři kritikou ceněná sólová alba (Mount A, Without Sinkins, Leyf?u Ljósinu a Saman), spolupracovala například s již zesnulým Jóhannem Jóhannssonem nebo Fever Ray a získala několik nominací na Icelandic Music Award.

Koncertní video LIVE AND LOUD, které bylo natáčeno na představení MTV v Seattleu 13. prosince 1993, vychází poprvé ve vinylovém zpracování.

Music has been the genesis of Common's creative life. Let Love is the culmination of a journey. Common spent 2018 and 2019 immersed in self-care and, ultimately, catharsis. In the process, he underwent a transformation as he examined God, faith, fatherhood, community, and love. He unites with prominent forces from different eras of the culture to deliver a timeless dedication to hip-hop. As such, the record details his past and present and shines a light on a bold and bright future. Of hip-hop, Common admits on lead single HER Love, „You gave me a voice in the world, it's been hard to choose another girl.” „a State of the Rap Union as he addresses the rise and expansion of hip-hop throughout the past 25 years” - VIBE „his most impactful body of work yet,” - OkayPlayer. „Common's homage to hip-hop” - Rolling Stone

Threads je v pořadí jedenácté studiové album americké písničkářky Sheryl Crow. Na desce hostuje Johnny Cash, St Vincent, Mavis Staples, James Taylor, Keith Richards, Eric Clapton nebo Sting.

Hotel Diablo je čtvrté album Machine Gun Kellyho a nahradilo původně zamýšlenou desku, kterou „MGK” nahrával více než rok, ale rozhodl se jí smazat. „Celé jsem to smazal po tom, co jsem to přehrál lidem kolem sebe a nedostalo se mi v podstatě žádné reakce. Nebylo to ono,” komentuje MGK vznik desky, která je nakonec albem konceptuálním, přičemž každá skladba je „jinými dveřmi do duše”.

Digitally remastered and expanded reissue of his 1971 album. Coming from Reality is another treat for fans new and old, designed as Rodriguez's vision of a perfect Pop album. Coming from Reality found Rodriguez decamping from Detroit to London's Lansdowne Studios, where the album was recorded with some of the UK's top talent including Chris Spedding and producer Steve Rowland), who recalls Coming from Reality as his all time favorite recording project. The reissue also includes three previously unreleased bonus tracks recorded in Detroit in 1972 with Cold Fact collaborators Mike Theodore and Dennis Coffey, representing the last thing the trio ever did together.

Digitally remastered and expanded reissue of his 1971 album. Coming from Reality is another treat for fans new and old, designed as Rodriguez's vision of a perfect Pop album. Coming from Reality found Rodriguez decamping from Detroit to London's Lansdowne Studios, where the album was recorded with some of the UK's top talent including Chris Spedding and producer Steve Rowland), who recalls Coming from Reality as his all time favorite recording project. The reissue also includes three previously unreleased bonus tracks recorded in Detroit in 1972 with Cold Fact collaborators Mike Theodore and Dennis Coffey, representing the last thing the trio ever did together. 13 tracks.

It s one of the lost classics of the 60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion, and, of course, jumpers, coke, sweet mary jane . The album is Cold Fact, and what s more intriguing is that its maker a shadowy figure known as Rodriguez was, for many years, lost too. A decade ago, he was rediscovered working on a Detroit building site, unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution. Sixto Diaz Rodriguez was born in 1942 to Mexican immigrant parents in Detroit, Michigan. He recorded Cold Fact his debut album in 1969, and released it in March 1970. It s crushingly good stuff, filled with tales of bad drugs, lost love, and itchy-footed songs about life in late 60s inner-city America. Gun sales are soaring/Housewives find life boring/Divorce the only answer/Smoking causes cancer, says the Dylan-esque Establishment Blues. But the album sank without trace, thanks, in part, to some of Rodriguez s more idiosyncratic behavior, like performing at an industry showcase with his back to the audience throughout. As his music career became a memory, Rodriguez s legend was growing on the other side of the world. In South Africa and, to a lesser extent, Rhodesia, Australia and New Zealand, Cold Fact had become a major word of mouth success, particularly among young people in the South African armed forces, who identified with its counter-cultural bent. But Rodriguez was an enigma not even the label knew where to find him and his demise became the subject of debate and conjecture. Some rumors said he d died of a heroin overdose or burned to death on stage. But the tide began to turn in 1996, when journalist Craig Bartholemew set out to get to the bottom of the mystery. After many dead ends, he found Rodriguez alive, well, free and perfectly sane in Detroit, ending years of speculation. Rodriguez himself had no idea about his fame in South Africa (the album had gone multi-platinum, Rodriguez has received not so much as a Rand in royalties), and embarked on a triumphant South African tour followed, filling 5,000 capacity venues across the country. Rodriguez was still largely unknown in the northern hemisphere until 2002, when Sugar Man, the album s extra-terrestrially wonderful lead track, was picked up by David Holmes. The DJ discovered the album in a New York record store, and included it on his Come Get It, I Got It compilation, re-recording the song with Rodriguez for his Free Association project a year later. Now, Light In The Attic is set to commit Cold Fact to CD for audiences in the UK and America, who can finally find out why halfway across the world Rodriguez is spoken of in the same reverent tones as The Doors, Love and Jimi Hendrix.