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A 1962 set from the Roy Haynes Quartet - which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano and Roland Kirk on saxes, manzello, stritch and flutes. The album is a delightful mix of technique in arrangement and performance, with all of the musicians delivering terrific work - Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments. Flanagan's piano playing is equally light and delicate, and Grimes' bass work is outstanding. There's not much that can be said about Kirk's sax and flute work that hasn't already been said a hundred times.

Prvýkrát na 2 - vinyle vychádza legendárny album Jany Kirschner „V cudzom meste”.
V stručnosti sa o ňom povedať, že čo pesnička - to hit! Spomínate? - Líška, Modrá, V cudzom meste, Žienka domáca. Album sa nahrával vo vychytenom (dnes už neexistujúcom) bratislavskom štúdiu Ebony v zostave muzikantov, z ktorých niektorí s Janou Kirschner vystupujú doteraz. Basgitarista a spoluproducent Martin Gašpar, bubeník Igor „Ajdži” Szabo, klávesista Martin Wittgruber a Juraj Burian, ktorého gitary do veľkej miery definovali výsledný zvuk nahrávky. Možno povedať, že práve tento album bol pre Janu Kirschner prelomový. Mnoho piesní z albumu sa stalo okamžite hitmi a speváčke rak otvorili kariéru úspešnej hudobníčky.

How does brokenness walk? Or move through the world? says guitarist/vocalist Carrie Brownstein about The Center Won't Hold, Sleater-Kinney's tenth studio album. We're always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person ourselves or versions of ourselves or iterations of depression or loneliness in the middle of the chaos. The Center Won't Hold is Sleater-Kinney's midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock 'n' roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we've heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won't Hold drops you into the world of catastrophe that touches on the election, says guitarist/vocalist Tucker of the title track. We re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it's like we're finding our way out of that space by becoming a rock band.

How does brokenness walk? Or move through the world? says guitarist/vocalist Carrie Brownstein about The Center Won't Hold, Sleater-Kinney's tenth studio album. We're always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person ourselves or versions of ourselves or iterations of depression or loneliness in the middle of the chaos. The Center Won't Hold is Sleater-Kinney's midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock 'n' roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we've heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won't Hold drops you into the world of catastrophe that touches on the election, says guitarist/vocalist Tucker of the title track. We re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it's like we're finding our way out of that space by becoming a rock band.

It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel's status as one of the most versatile, dynamic and important artists of his generation.

It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel's status as one of the most versatile, dynamic and important artists of his generation.

In 1993, guitarist John Scofield teamed with elder jazz-funk pioneer and saxophone great Eddie Harris and a tremendous band featuring Larry Goldings on organ and piano, Dennis Irwin on bass, Bill Stewart on drums, and Don Alias on percussion to lay down his soul jazz opus Hand Jive. Produced by Lee Townsend, the album featured 10 groove-based Scofield originals including the irrepressible „Do Like Eddie.” This 180g Blue Note 80 Vinyl Edition mastered by Kevin Gray arrives on the 25th anniversary of the album's original release on August 9, 1994, and marks the 1st time the full 10-track album will be released on vinyl.