UNIVERSAL

Vychází soundtrack k pokračování kultovního filmu Charlieho andílci. Produkce se ujala Ariana Grande společně s renomovanými producenty Savanem Kotechou a Scooterem Braunem.
Elizabeth Banksová se stala režisérkou nové generace Andílků (Kristen Stewart, Naomi Scott a Ella Balinska), kteří pracují pro tajemného Charlese Townsenda. Charlieho Andílci tvořené temi nejchytřejšími, nejodvážnějšími a nejlépe vyškolenými ženami se jako vždy starají o bezpečnost a zajišťují služby soukromým klientům. Tentokrát jsou však povoláni do akce, aby zachránili životy nás všech.

Soundtrack to the second season of the critically acclaimed and eight-time Emmy winning HBO series, starring Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern and Meryl Streep. Big Little Lies: Music from Season 2 of the HBO Limited Series showcases an eclectic mix of soul, folk, blues, country and rock from Charles Bradley, the Spinners, Cassandra Wilson, Elle King, Willie Nelson and more. Several previously unreleased tracks are premiered, including „Piece of My Heart” by Christina Vierra and The Ryam Rehm Band (made famous by Janis Joplin's Big Brother and the Holding Company), „Why Can't We Live Together” by Jim James (originally by Timmy Thomas), and „That Was Yesterday” by Leon Bridges.

Ben Harper sounds good on paper. He's a 24-year-old Californian devoted to vintage acoustic guitars, original political songs and the unusual blend of calypso and Mississippi Delta blues--an inspired blend of David Lindley, Tracy Chapman, and Taj Mahal. Unfortunately, Harper's execution of this original conception on his debut album, „Welcome to the Cruel World,” is distinctly underwhelming.
Harper's singing is the biggest problem. He mumbles his vocals with so little articulation and within such a narrow range that he makes Bob Dylan sound like Al Green by comparison. Moreover, Harper's overall performance is so low in energy that he makes the laid-back Cowboy Junkies sound like the Sex Pistols. His songwriting and guitar picking reveals hints of a modest talent, but they aren't nearly special enough to compensate for the narcotic effect of his singing. The heavy-handed Rodney King song, the adaptation of a Maya Angelou poem and the broken-hearted love songs are more likely to recall Chapman's disappointing second album rather than her exhilarating first. --Geoffrey Himes

Stars of Broadway and the West End, Michael Ball and Alfie Boe are back at it with „Together Again”! Following their best-selling and chart-topping first collaboration, „Together”, the two stars return with more fan favorites from the screen and stage including selections from West Side Story, Kismet, South Pacific, Sunset Boulevard and many more.

MTV Unplugged in New York je záznam akustického koncertu kapely Nirvana. Deska vyhrála v roce 1996 Grammy. Kapela na koncertě hrála jen přibližně polovinu vlastních písní, zbytek byly coververze písní od interpretů, jako jsou The Vaselines, Meat Puppets, David Bowie nebo Lead Belly.

Vydání alba Let It Bleed bylo nejen pro Rolling Stones jedním z nejdůležitějších hudebních momentů šedesátých let. Deska Let It Bleed, která vyšla v roce 1969, je podle kritiků i mnohých hudebních nadšenců jedním z nejlepších a nejpodstatnějších rockových alb historie. Album obsahuje hity, jako je Gimme Shelter, Midnight Rambler a You Can't Always Get What You Want. Hudební kritik Jann S. Wennner popsal jednotlivé skladby jako znepokojující, scenérii jako nesmírně ošklivou a sám Jagger přiznal, že Let It Bleed bylo ovlivněno válkou ve Vietnamu.
Limited edition hand-numbered box set
2 x 180-gram LPs in stereo and mono with restored original album art
2 x SACDs in stereo and mono housed in custom 12„ sleeve
7” single of „Honky Tonk Women”/ „You Can't Always Get What You Want” in mono with original picture sleeve
80-page hardcover book with essay by David Fricke and never-before seen photos by Ethan Russell
Three 12„x12” hand-numbered, replica-signed lithographs printed on embossed archival paper, housed in foil-stamped envelope
Full-colour (23 x 23) poster with restored art from original 1969 Decca package
Remastered audio by Bob Ludwig at Gateway Mastering