UNIVERSAL

How does brokenness walk? Or move through the world? says guitarist/vocalist Carrie Brownstein about The Center Won't Hold, Sleater-Kinney's tenth studio album. We're always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person ourselves or versions of ourselves or iterations of depression or loneliness in the middle of the chaos. The Center Won't Hold is Sleater-Kinney's midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock 'n' roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we've heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won't Hold drops you into the world of catastrophe that touches on the election, says guitarist/vocalist Tucker of the title track. We re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it's like we're finding our way out of that space by becoming a rock band.

How does brokenness walk? Or move through the world? says guitarist/vocalist Carrie Brownstein about The Center Won't Hold, Sleater-Kinney's tenth studio album. We're always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person ourselves or versions of ourselves or iterations of depression or loneliness in the middle of the chaos. The Center Won't Hold is Sleater-Kinney's midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock 'n' roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we've heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won't Hold drops you into the world of catastrophe that touches on the election, says guitarist/vocalist Tucker of the title track. We re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it's like we're finding our way out of that space by becoming a rock band.

It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel's status as one of the most versatile, dynamic and important artists of his generation.

It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel's status as one of the most versatile, dynamic and important artists of his generation.

In 1993, guitarist John Scofield teamed with elder jazz-funk pioneer and saxophone great Eddie Harris and a tremendous band featuring Larry Goldings on organ and piano, Dennis Irwin on bass, Bill Stewart on drums, and Don Alias on percussion to lay down his soul jazz opus Hand Jive. Produced by Lee Townsend, the album featured 10 groove-based Scofield originals including the irrepressible „Do Like Eddie.” This 180g Blue Note 80 Vinyl Edition mastered by Kevin Gray arrives on the 25th anniversary of the album's original release on August 9, 1994, and marks the 1st time the full 10-track album will be released on vinyl.

Když Tim Bergling 20. dubna 2018 zemřel, hudba pro nové album byla z devadesáti procent hotová. Tim za sebou zanechal bohatou sbírku téměř dokončených skladeb, poznámky, emailové konverzace a textové zprávy týkající se vytvářené muziky. Skladatelé, se kterými Tim tehdy spolupracoval, se se svolením rodiny, která nechtěla Timovu hudbu nechávat zamčenou v šuplíku, rozhodli v nahrávání pokračovat. „Po tom všem, dotahovat skladby do konce... Cítím se paralyzovaný, i když o tom jenom hovořím. Ale hlavním úkolem dokončování skladeb bylo co nejpřesněji naplnit Timovu vizi,” přibližuje nahrávání Kristoffer Fogelmark.
Prostřednictvím programu Fruity Loops byli Kristoffer s Albinem Nedlerem schopni najít a zachovat Timovi přesné úhozy kláves. „Měl úplně jiný styl hraní,” objasňuje Nedler. „Jeho prsty se občas dotkly neobvyklého tónu, což jeho skladbám dodávalo unikátní zvuk. Timovi otisky se doslova nachází napříč celou deskou.”
Avicii získal ohromnou popularitu jak mezi kritiky, tak fanoušky v roce 2011, kdy vydal taneční hit Le7els, který se usadil na prvních příčkách britské i americké hitparády a vysloužil Aviciimu nominaci na Grammy. Následující song Wake Me Up suverénně dobyl hitparády v 81 zemích a Aviciimu, který se stal jedním z nejznámějších DJs vůbec, definitivně zaručil globální úspěch.

Volbeat si k nahrávání v pořadí sedmé desky Rewind, Replay, Rebound do studia přizvali mnoho hostí, aby se jejich rock&roll mnoha tváří stal ještě rozmanitějším. Klasickou kombinaci psychobilly, punku, hard rocku a metalu doplnil například gospelový sbor.

Volbeat si k nahrávání v pořadí sedmé desky Rewind, Replay, Rebound do studia přizvali mnoho hostí, aby se jejich rock&roll mnoha tváří stal ještě rozmanitějším. Klasickou kombinaci psychobilly, punku, hard rocku a metalu doplnil například gospelový sbor.

André Rieu: „Welcome to my World” captures never seen before aspects of his life through a combination of behind-the-scenes documentary, music performances and special heart-warming interviews.
This unique series follow the Classical Brit Award-winning artist and his very special guests as they prepare to perform in dazzling concerts around the world. From Australia to Argentina via Mexico and Maastricht, viewers will join André Rieu and members of the famous Johann Strauss Orchestra in a spectacular journey celebrating music, waltzes and his spellbinding showmanship. Each episode documents an exhilarating part of the maestro's life, as well as showcasing new concert performances.
André Rieu: „Welcome to my World” features exclusive interviews and unprecedented access to the team who work with the violinist and help make his concerts so memorable. The episodes contain unique interviews with his sons Marc and Pierre Rieu and long-standing members of the Johann Strauss Orchestra, as well as his trusted concert soloists Carla Maffioletti, Carmen Monarcha and Mirusia Louwerse and many more special guests.

Introducing Kenny Burrell put the jazz world on notice in 1956 that an extraordinary new guitarist was on the scene who combined bebop and the blues with smoky aplomb. Burrell is accompanied on this stellar set of original and standard compositions by Tommy Flanagan on piano, Paul Chambers on bass, bebop icon Kenny Clarke on drums along with the percussion sensation from Cuba, Candido. This legendary session launched the career of one of the giants of modern jazz guitar who would go on to record his magnum opus Midnight Blue for Blue Note in 1963. Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).