UNIVERSAL

DJ Shadow returns with his new album Our Pathetic Age, releasing November 15th via Mass Appeal, kicking off the project with hit single, 'Rocket Fuel' featuring vocals from legendary rap trio De La Soul, which was also included in EA's Madden 20 Soundtrack. Set to release as a double album, part 1 of Our Pathetic Age includes 11 genrebending instrumental tracks. Part two is a 14track vocal suite with features from the likes of Nas, Dave East, Run The Jewels, and more.

Vychází soundtrack k pokračování kultovního filmu Charlieho andílci. Produkce se ujala Ariana Grande společně s renomovanými producenty Savanem Kotechou a Scooterem Braunem.
Elizabeth Banksová se stala režisérkou nové generace Andílků (Kristen Stewart, Naomi Scott a Ella Balinska), kteří pracují pro tajemného Charlese Townsenda. Charlieho Andílci tvořené temi nejchytřejšími, nejodvážnějšími a nejlépe vyškolenými ženami se jako vždy starají o bezpečnost a zajišťují služby soukromým klientům. Tentokrát jsou však povoláni do akce, aby zachránili životy nás všech.

Soundtrack to the second season of the critically acclaimed and eight-time Emmy winning HBO series, starring Reese Witherspoon, Nicole Kidman, Shailene Woodley, Laura Dern and Meryl Streep. Big Little Lies: Music from Season 2 of the HBO Limited Series showcases an eclectic mix of soul, folk, blues, country and rock from Charles Bradley, the Spinners, Cassandra Wilson, Elle King, Willie Nelson and more. Several previously unreleased tracks are premiered, including „Piece of My Heart” by Christina Vierra and The Ryam Rehm Band (made famous by Janis Joplin's Big Brother and the Holding Company), „Why Can't We Live Together” by Jim James (originally by Timmy Thomas), and „That Was Yesterday” by Leon Bridges.

Ben Harper sounds good on paper. He's a 24-year-old Californian devoted to vintage acoustic guitars, original political songs and the unusual blend of calypso and Mississippi Delta blues--an inspired blend of David Lindley, Tracy Chapman, and Taj Mahal. Unfortunately, Harper's execution of this original conception on his debut album, „Welcome to the Cruel World,” is distinctly underwhelming.
Harper's singing is the biggest problem. He mumbles his vocals with so little articulation and within such a narrow range that he makes Bob Dylan sound like Al Green by comparison. Moreover, Harper's overall performance is so low in energy that he makes the laid-back Cowboy Junkies sound like the Sex Pistols. His songwriting and guitar picking reveals hints of a modest talent, but they aren't nearly special enough to compensate for the narcotic effect of his singing. The heavy-handed Rodney King song, the adaptation of a Maya Angelou poem and the broken-hearted love songs are more likely to recall Chapman's disappointing second album rather than her exhilarating first. --Geoffrey Himes